CLASSICAL 89 AIRING UTAH OPERA’S DON GIOVANNI  BY WOLFGANG AMADEUS MOZART MAY 27 AT 8PM

CAST & ARTISTIC STAFF HOME OPERA COMMENTARY

UTAH OPERA

Don Giovanni
By Wolfgang Amadeus Mozart 1756-1791
May 10, 12, 14, 16 at 7:30 pm
May 18 at 2:00 pm
Capitol Theatre
Sung in Italian with English supertitles
Libretto by LORENZO DA PONTE
Supertitles translated by Kathleen Lowe
World Premiere: Estates Theatre in Prague on October 29, 1787
Previously at Utah Opera in 1984, 1990, 1997

SYNOPSIS

ACT I
Spain, 1600s. At night, outside the Commendatore's palace, Leporello grumbles about his duties as servant to Don Giovanni, a dissolute nobleman. Soon the masked Don appears, pursued by Donna Anna, the Commendatore's daughter, whom he has tried to seduce. When the Commendatore himself answers Anna's cries, he is killed in a duel by Giovanni, who escapes. Anna returns this time with her fiancé, Don Ottavio. Finding her father dead, she makes Ottavio swear vengeance on the assassin.

At dawn, Giovanni flirts with a traveler outside a tavern. Her name is Donna Elvira, a woman he once seduced in Burgos, has been following him. Giovanni escapes while Leporello distracts Elvira by reciting his master's long list of conquests. Peasants arrive, celebrating the nuptials of their friends Zerlina and Masetto; when Giovanni joins in, he pursues the bride, angering the groom, who is removed by Leporello. Alone with Zerlina, the Don applies his charm, but Elvira interrupts and saves the bride. Elvira returns to denounce him as a seducer, Giovanni is stymied further while greeting Anna, now in mourning, and Ottavio. Declaring Elvira mad, he leads her off. Anna, having recognized his voice, realizes Giovanni was her attacker.

Outside the palace, Zerlina begs Masetto to forgive her apparent infidelity. Masetto hides when the Don appears, emerging from the shadows as Giovanni corners Zerlina. The three enter the palace together. Elvira, Anna and Ottavio arrive in masks and are invited to the feast by Leporello. During the festivities, Leporello entices Masetto into the dance as Giovanni draws Zerlina out of the room. When the girl's cries for help put him on the spot, Giovanni tries to blame Leporello. But no one is convinced; Elvira, Anna and Ottavio unmask and confront Giovanni, who barely escapes.

ACT II
Under Elvira's balcony, Leporello exchanges cloaks with Giovanni to woo the lady in his master's stead. Leporello leads Elvira off, leaving the Don free to serenade Elvira's maid. When Masetto passes with a band of armed peasants bent on punishing Giovanni, the disguised rake gives them false directions, and beats up Masetto. Zerlina arrives and tenderly consoles her betrothed.

In a passageway, Elvira and Leporello are surprised by Anna, Ottavio, Zerlina and Masetto, who, mistaking servant for master, threaten Leporello. Frightened, he unmasks and escapes. When Anna departs, Ottavio affirms his confidence in their love. Elvira, frustrated at her second betrayal by the Don, voices her rage.

Leporello catches up with his master in a cemetery, where the figure of the Commendatore warns Giovanni of his doom. Don proposes Leporello invite the figure to dinner, he accepts.

In her home, Anna, still in mourning, puts off Ottavio's offer of marriage until her father is avenged.

Leporello is serving Giovanni's dinner when Elvira rushes in, begging the Don, whom she still loves, to reform. But he waves her out contemptuously. At the door, her screams announce the Commendatore's statue. Giovanni boldly refuses warnings to repent, even in the face of death. Flames engulf his house, and the sinner is dragged to hell.